BFA动画,电影,摄影和运动设计(法新社)&MD)教授生产过程的各个方面. 法新社&医学博士课程是围绕体验式学习的, providing students with extensive h和s-on practice with individual 和 collaborative projects that reflect industry st和ards.
法新社&MD encourages students to explore their passions 和 interests by allowing certain projects to be customized to their individual career goals. 法新社&MD cultivates a positive learning environment for experimentation 和 exploration with an emphasis on the study of time, 关于各种叙事的运动和光线, 非小说类, 实验性的娱乐领域. Students develop into critical, analytical, independent problem solvers, thinkers, creators.
该项目提供跨学科的课程, 强调动画之间的关系, 电影, 和摄影,这样每门课都能互相促进. 该计划从2D设计的基础课程开始, 雕塑, 画, 和艺术史, 哪些课程为他们的专业提供了扎实的技能和历史背景. As early as Freshman year, students create short films, 动画s, photographs.
有旅行和实地考察的机会. 法新社&MD students partnered with the CMU Biology students to study 和 photograph butterflies in Peru, which culminated in a student photo 和 video exhibit at the CMU Art Gallery
跟随法新社&Instagram上的MD项目:
coloradomesa_afp
动画和数字电影制作助理教授
Evan Curtis的动画和数字电影制作的例子:
摄影教练,Forrest Zerbe
![Forrest Zerbe在课堂上复习笔记](../images/forrest_website.jpg)
福雷斯特·泽伯传记:
艺术在我的生活中一直扮演着重要的角色. 我生长在一个非常重视教育和文化的家庭. As a youth, I spent a lot of my time working in the wood shop 和 darkroom. I loved these two places because they allowed me to be creative 和 work with my h和s. My undergraduate years were spent studying a variety of subjects 和 discovering my passions. I finished my undergraduate with an emphasis in wood working 和 decided to attend graduate school at Savannah College of Art 和 设计 (SCAD) for furniture design.
我从未停止过摄影, but it would take venturing back into the darkroom at SCAD for formal photography courses for me to decide that it would be my primary medium 和 focus moving forward. I devoted my time 和 energy to mastering the techniques of the art form 和 enjoyed being back in the darkroom. I earned my MFA in Photography from SCAD 和 spent the next six years traveling 和 working as a professional photographer. 我的主要工作是肖像画, 但我也做商业产品拍摄和网站建设. I had the privilege of being a part of the photography industry during the early 2000’s when technology revolutionized the art form. 我开始在pp电子极速糖果教授艺术 & 2013年设计部. Along with teaching, I still enjoy traveling 和 my days spent in the darkroom 和 studio.
Forrest Zerbe的摄影作品示例:
电影制作讲师,杰夫·古斯塔夫森
杰夫·古斯塔夫森传记:
Jeff has worked as a director of photography from Maine to Hawaii 和 everywhere in between. 他拍过剧情片, 导演广告和短片, worked on projects ranging from Oscar-nominated movies 和 international car commercials to independent films 和 late-night infomercials. 他的简历包括电影《 拿破仑炸药, 127小时, 歌舞青春2 和 3.
He earned his Bachelor of Arts from Brigham Young University with an emphasis in cinematography 和 a Master of Fine Arts in Visualization from Texas A&米大学. 他一直受到迪士尼动画艺术家的指导, 在Adobe总部实习, 并为圣丹斯电影节工作. 他的3D动画作品曾在SIGGRAPH展出, 世界上最大的计算机图形和动画会议.
当他不教书的时候, 杰夫在他的家庭工作室工作,担任编辑和调色师, 让他有时间陪伴妻子和两个孩子.
Jeff Gustafson的电影制作作品:
ARTA 123灯! 相机! 行动!
Exploration of fundamental components of digital design 和 time-based media, 比如摄影, 动画, 数字电影制作, 运动设计. Students focus on the elements of light, sound, motion as key time-based design factors. 个人和小组项目.
数字摄影的ARTA 222原则
Exploration of photographic principles through the use of the digital single lens reflex camera.
惹惹223图像和运动
Introduction to tools, techniques, practices relating to images 和 time-based media. 图像、排版、数字电影和声音的集成.
ARTA 224电影原理
介绍电影制作的各个阶段. Emphasis on screenwriting, planning 和 scheduling, cameras, lenses, lighting, editing.
ARTA 225动画原理
Introduction to the core principles of 动画 through animated exercises that explore various techniques 和 tools for creating the illusion of life.
ARTA 296主题
本课程可修读多次,最多可修读15个学分.
ARTA 322中级摄影
Discovery of vision 和 the art of seeing through the lens of a camera.
ARTA 323角色设计和故事概念
In-depth exploration of the power of story 和 how it influences the design process. 通过角色设计和动画概念艺术来构建世界, 真人, 漫画, 还有电子游戏. 个人和合作项目.
ARTA 324动画制作
Development of a personal aesthetic through advanced individual or collaborative short 动画s 和 character performances, 基于原创的概念和故事. 包括故事板,前期制作和后期制作.
ARTA 325 3D数字建模
探索3D动画的基础知识. Focus on modeling, texturing, lighting, cameras, 动画, rendering. 重点还将放在这些领域的创造性表达上.
ARTA 326中级电影制作
的延续 ARTA 224. 中级电影制作技术与美学的探索.
ARTA 327声音设计和后期制作
Exploration of the relationship between sound 和 image through post-production techniques including Editing, 着色, 和声音设计. 为短片,播客和视频游戏创建Foley音效.
ARTA 396主题
本课程可修读多次,最多可修读15个学分.
ARTA 421高级电影制作
Advanced studies in 数字电影制作 focusing on each student's individual creative interests such as 实验 filmmaking or the combination of film with additional media.
ARTA 422高级摄影和工作室照明
Exploration of light 和 the development of a studio lighting portfolio.
ARTA 424动画,电影和摄影工作室1
Creation of pre-production 和 concept development for an individual or collaborative senior thesis. Students are encouraged to focus on their personal interests, career goals, portfolio needs.
ARTA 425动画,电影和摄影工作室II
的延续 ARTA 424; Production of individual or collaborative thesis. Emphasis is placed on industry criteria for professional presentation in portfolios, 节日, 以及公共展览.
ARTA 426高级运动工作室
发展新兴的个人方向. 独一无二的机会, 实验, personal projects working individually or in collaboration with other students.
ARTA 427投资组合和演示卷轴
演示卷的准备, 重新开始。, 以及进入专业就业市场的宣传材料.
ARTA 496主题
本课程可修读多次,最多可修读15个学分.
arta499实习
本课程可修读多次,最多可修读15个学分.
- 两个Mac实验室.
- Mac实验室配备Wacom Cintiqs, Adobe Creative Cloud, Autodesk Maya, 搅拌机, 和达芬奇的决心. - 摄影工作室.
- Photography classes include traditional 电影 processing 和 digital photo. - 两个小定格动画工作室.
- 数码电影课用的数码单反相机和黑魔法6K相机.
- For information on equipment 和 resources students need when entering the program click the link below.
法新社&MD入门套件
![amplogo-1.jpg](../images/amplogo-1.jpg)
如果你有兴趣加入动画, 运动, 摄影俱乐部(AMP), 或者更多信息请联系Evan Curtis教授.
2019动画秀
动画Showreel 2021
她杀死怪物
CMU的艺术 & 设计部门 partnered with CMU's Performing Arts Department for the production of 她杀死怪物. Watch this video of student Catrina Odom discussing the 动画 process.
学生作业范例
![](../images/catrinaodom_final7.png)
艺术作品由学生卡特里娜奥多姆与动画
以及数字电影制作教授Evan Curtis.
![](../images/img_2648.jpg)
杰夫教练的电影制作课程
古斯塔夫森:导演泰勒·耶茨
现在来看看剧本
![](../images/characterdesign_jinglin.png)
学生黄景林动画角色设计
以及数字电影制作教授Evan Curtis.
![](../images/img_2538.jpg)
摄影导演亚伦·刘易斯
和导演泰勒·耶茨讨论一个镜头
![](../images/img_2646.jpg)
电影制作课程与教练杰夫·古斯塔夫森:
维克多·理查森和米克尔·基勒-豪沃思
使用一些特效化妆
![](../images/characterdesign_catrinaodom.png)
由学生卡特里娜奥多姆与动画角色设计
以及数字电影制作教授Evan Curtis.
![](../images/sydsmith_animation2.jpg)
以及数字电影制作教授Evan Curtis.